Miruthan: Difference between revisions
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[[Category:Rajkumar]] [[Category:மெய்ப்பொருள்]] | [[Category:Rajkumar]] [[Category:மெய்ப்பொருள்]] | ||
Perceived as one of the most illogical movies, Miruthan. One liner of the story is, hero just unconditionally kills all the zombies, saves few and | Perceived as one of the most illogical movies, Miruthan. One liner of the story is, hero just unconditionally kills all the zombies, saves few and scarifies himself for his love. | ||
In general, movies have visualized love with few routine principles. The below order is based on the intensity. | In general, movies have visualized love with few routine principles. The below order is based on the intensity. | ||
Revision as of 16:45, 17 April 2017
Perceived as one of the most illogical movies, Miruthan. One liner of the story is, hero just unconditionally kills all the zombies, saves few and scarifies himself for his love.
In general, movies have visualized love with few routine principles. The below order is based on the intensity.
- Hero likes heroine (for obvious reasons) and establishes love.
- Hero/Heroine fights with each other first, and "accidentally" establishes love later.
- Hero/Heroine unconditionally sacrifies their comfort zone, hence establishes love.
- Hero/Heroine do not see each other, still establishes the divinity (?!) of love through "other means" of communication.
- One of them die, but still the other one demonstrates their love for eternity
- They loved in last "Jenma" so intense, so that it continues in current jenma too!
& so on.
We have seen all these kind of stories with tons of examples. In all these movies, the one fundamental principle is, the affinity for the opposite is gender is present or established. None of the movies have questioned this fundamental affinity.